Sequências textuais em domínio jornalístico no meio digital: aspectos da composição estrutural dos gêneros

Abstract

This research aims to analyze, in genres of the digital newspaper, the textual sequences, based on Adam's approach (1992, 2009), which are conceived by the author as linguistic-formal configurations that materialize in the genres, constituting a fundamental part. of its compositional structure. The research fits into the theoretical perspective of Text Linguistics, also adopting, as a starting point, the fundamental notions of domain and typological heterogeneity presented by Marcuschi, (2008). Regarding the first notion, he states that the discursive domain "constitutes much more a sphere of human activity, in the Bakhtinian sense of the term, than a principle of classification of texts and indicates discursive instances [....] It does not cover a particular genre, but gives rise to several of them, since genres are institutionally marked. (MARCUSCHI, 2008: 154-155) As for typological heterogeneity, the author states that, in general, genres are formed by two or more textual types. Thus, the occurrence of the following textual types in the newspaper genres is analyzed: narrative, descriptive, argumentative, expository, injunctive and day. The corpus of the research consists of texts from the journalistic domain, in a total of 80 utterances, being selected, as a sample, 12 texts from digital newspapers of national circulation (O Globo, A Folha de São Paulo and Jornal do Brasil), distributed in four digital genres: 3 tweets, 3 blogs, 3 polls and 3 news shifts. Thus, it is concluded that in the tweet obtained the predominance of the explanatory-expository sequence; in the news shift there was a predominance of the explanatory-expository sequence; In the survey, the predominance of the dialogical sequence was observed; and finally, we noticed that blog posts are the genre that has the most typological heterogeneity, because it uses more than one sequence in textual composition. Finally, it was found that digital genres have in their structure at least one type of textual sequence, in which they are essential for the composition of the genre.